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Thread: NIN Spotting 2018

  1. #781
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    Quote Originally Posted by ManBurning View Post
    I feel like they captured lightening in bottle with that. Not to say their other stuff is bad, but I just haven't felt any of the soundtrack work that came out after was as good in my eyes anyway.
    I'm a fan of the score for The Social Network, but I definitely think they've done better work since then, and out of their three collaborations with Fincher, I'd actually place that one last.

  2. #782
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    Quote Originally Posted by streetman View Post
    Is it on par with TSN? It's in most every critics' top ten contender lists for best score. Just wondering where you'd rank it.
    In response to this question (and having read the subsequent relevant posts), I do think TSN score was incredible - and appropriate to the film. I was lucky enough to see TR at a NY Times talk where he played snippets of what would have been the music in the opening scenes (an Elvis Costello song) and the difference it made to use the TR/AR score. I don't think it's appropriate to compare that to the Mid90's score as its score is perfectly appropriate to the movie and so totally different from TSN.

  3. #783
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    Quote Originally Posted by ManBurning View Post
    They set the bar so high with TSN score. That whole score/soundtrack is flawless. And to think it was their first one as well. I feel like they captured lightening in bottle with that. Not to say their other stuff is bad, but I just haven't felt any of the soundtrack work that came out after was as good in my eyes anyway.
    The problem isn't, I don't think, that they can't do a score on par with TSN again, but that TSN was supposed to be a focal point of the movie, and the rest of their score work so far has been meant to be in the background. TSN was supposed to have your attention throughout the movie, but the others were meant not to take the focus away from what was happening on screen.

  4. #784
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    Quote Originally Posted by gardenia_spectre View Post
    In response to this question (and having read the subsequent relevant posts), I do think TSN score was incredible - and appropriate to the film. I was lucky enough to see TR at a NY Times talk where he played snippets of what would have been the music in the opening scenes (an Elvis Costello song) and the difference it made to use the TR/AR score. I don't think it's appropriate to compare that to the Mid90's score as its score is perfectly appropriate to the movie and so totally different from TSN.
    That still doesn't answer the question lol. I mean, is the mid90s score oscar worthy like TSN was? IS it something that can get some recognition when it comes to awards. Just curious.

  5. #785
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    Flicked through the last couple of pages and didnt see anything here about this yet

    https://www.abc.net.au/doublej/progr...nails/10369894

    Double J are currently doing a J file on Nine Inch Nails, Archive will be up afterwards if you're not listening to it right now with the tracks removed but all the interview stuff left in.

  6. #786
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    Listening to it now! Love hearing the interviews from the Triple J archive.

  7. #787
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    I don't know if this has posted before, but Trent and Atticus Halloween Theme will be released on Vinyl https://amzn.to/2NMc9FG

  8. #788
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    Heh.

  9. #789
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    MID 90s soundtrack EP



    available on Apple Music here in Europe

    4 tracks

  10. #790
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    Quote Originally Posted by untold View Post
    MID 90s soundtrack EP



    available on Apple Music here in Europe

    4 tracks
    Why not post the link lol? an image, really?

  11. #791
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  12. #792
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    Well it's also available out of the crappiest music store on earth, (includes of course youtube music) : https://play.google.com/music/m/Bszq...__Atticus_Ross

    EDIT : You can purchase on nin.com and here's all the official links https://nin.lnk.to/mid90s
    Last edited by ninjaw; 10-19-2018 at 03:20 AM.

  13. #793
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    The score EP is also streaming in lossless on Tidal. I think this does call back a bit to TSN score in texture, but the piano technique is quite a departure from Trent's usual quirky style, much more of a 'traditional' grand piano sound, overlaid with their usual synths and sequencing.
    Last edited by botley; 10-19-2018 at 05:12 AM.

  14. #794
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    I agree. It’s really beautiful.

  15. #795
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    Quote Originally Posted by DVYDRNS View Post
    I like the implicite dig at ETS. Great interview.

  17. #797
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    "...and their upcoming projects include HBO’s Watchmen series; the Netflix release Bird Box... and the thriller Woman In The Window."

    Whaaaaat..?!?

  18. #798
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    Quote Originally Posted by DVYDRNS View Post
    I wonder what film projects they did that were "mistakes". Maybe Patriots Day?

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    Quote Originally Posted by StockAvuryah View Post
    I like the implicite dig at ETS. Great interview.
    Yeah but Trent’s recent shows kissed arse to the likes of @helpmeiminhell who complained the most about Tension. So Trent is showing that it pays to be a pain in the arse on forums

  20. #800
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    Quote Originally Posted by BRoswell View Post
    I wonder what film projects they did that were "mistakes". Maybe Patriots Day?
    That's the only one I could think of. All of the others were either Fincher films or documentaries.

  21. #801
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    "There’s a couple Nine Inch Nails forums that are … very niche-y for the people that can’t be pleased."

    I wonder what forum he could be talking about........hmmmm

  22. #802
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    Quote Originally Posted by BRoswell View Post
    I wonder what film projects they did that were "mistakes". Maybe Patriots Day?
    Most definitely Patriots Day, I don’t think Trent would be upset about documentaries with positive messages or Fincher films.

    Patriots Day was just another film in Peter Berg’s patriot Porn series and the whole message was fuck yeah America. I was thrown off why they wanted to work with Berg but it seems like they made a bad call. All good, that score is great

  23. #803
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    Quote Originally Posted by BRoswell View Post
    I wonder what film projects they did that were "mistakes". Maybe Patriots Day?
    I actually love that score though, haven’t seen the film yet

  24. #804
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    Quote Originally Posted by DVYDRNS View Post
    Warning: tour spoilers. As someone who's about to go see them for the first time this tour today I am not pleased.

    That said though, great interview; thanks for posting!

  25. #805
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    Quote Originally Posted by DVYDRNS View Post
    I love that if I go to stereogum.com I see this gem at the top

  26. #806
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    Quote Originally Posted by DVYDRNS View Post

    And there’s a handful of songs on this tour that I don’t particularly feel an affection towards but because of the novelty of we’ve never played them, I know it’ll be exciting for superfans that seem to live for those type of things.
    Yes! Thank you bro

  27. #807
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    John Carpenter on Trent Reznor and Atticus Ross’s Halloween Score Cover: “I’m Impressed”

    I'm not buying that he actually gives a shit one way or another, but JC and the Release the Bats! tour was my other big music thing back in late 2016. This track having some attention, finally, is pretty cool.

  28. #808
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    Quote Originally Posted by imail724 View Post
    [re: Patriots Day being 'a mistake']That's the only one I could think of. All of the others were either Fincher films or documentaries.
    What about Abraham Lincoln: Vampire Hunter (he dropped out but it was still possibly 'a mistake')? Or The Black Ghiandola?
    Last edited by botley; 10-19-2018 at 04:33 PM.

  29. #809
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    Quote Originally Posted by StockAvuryah View Post
    I like the implicite dig at ETS. Great interview.
    Agreed, that was a great read and one of the best interviews I've read for quite a while.

    Quote Originally Posted by BRoswell View Post
    I wonder what film projects they did that were "mistakes". Maybe Patriots Day?
    This was my assumption, as well. The score was really good (though not one of their best) and definitely helped elevate the movie to another level, but of the movies I saw based on the Boston Marathon bombing, Stronger was the better of the two. Patriot's Day WAS honestly better than I expected, to be fair. It's also pretty telling that the description on nin.com says "the film is better than you're expecting."

  30. #810
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    Quote Originally Posted by BRoswell View Post
    I wonder what film projects they did that were "mistakes". Maybe Patriots Day?
    I'd bet good money on it being Patriots Day. From the beginning I felt it was an unfortunate project for them to associate themselves with and frankly even they always seemed kind of sheepish about it. As I wrote back then:

    Quote Originally Posted by Deacon Blackfire View Post
    I'm kind of fascinated by how little press and promotion Trent and Atticus seem to be doing for this film. Like Trent said some nice shit about the movie in the recent Rolling Stone interview but compared to the usual way the NIN camp publicizes his and Atticus's scoring work, Patriots Day seems incredibly subdued and pushed to the side. It kind of reinforces this sense I've had that this is a much more casual, work-for-hire gig for them, and not as creatively driven as their scores for David Fincher, or for Before the Flood (which they just seem a lot more proud of).
    Trent's expressed misgivings just make me think I had the correct sense of things back then. Frankly, with how insane the world and the United States in particular has become, it's easy for me to understand why they would regret involving themselves in one of Peter Berg's jingoistic romps.
    Last edited by Deacon Blackfire; 10-19-2018 at 05:44 PM. Reason: typo DUHRRR

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