Random Meathead question: what does iTrent say at 5:50?
"Later, I will write five albums something something something what a c_nt you are" is what a I hear, but I don't really understand that middle part.
five albums of songs about what a c_nt you are? seems about right
Thank you.
Sorry if this has been covered before, probably was 10 years ago. I just bought a used mint copy of the 2004 2 cd downward spiral deluxe edition, and noticed there's a half-second noise glitch on disc 1 at the start of "a warm place". Can't tell if it's a bleed over track index error from "big man with a gun" or what the hell. I tried it on both my car and computer stereos and it's evident on both systems. Anyone else notice this or do I just have a bad disc? The disc itself looks mint.
i've noticed the blip (it's the end of BMWAG) on basically every copy of TDS, remastered or otherwise. most CD players have crappy reading reaction time and skip those first few frames, but obviously computers play back more exactly, so people notice it easily now.
More reason to not listen to albums on shuffle :P
But yeah mine has it too
Not surprising, given the much more obvious track limit errors on Broken — and not one but three of them: first, pinion into wish; second, last into help...; third, happiness... into gave up. More examples found on later albums must be indication ofOriginally Posted by sheepdean
I really appreciate that Trent wants to make his albums a complete listening experience, and so blending one song to another, or abrupt changes between songs, is a good way of doing that. But! I just can't stand it. Seriously. What's wrong with wanting to enjoy a single song in its own right? I think every single NIN album has some form of fade between tracks or bits of the previous track show up at the start of the following one. Certainly when it comes to putting NIN on my iPod I do work around single versions or vinyl rips (Closer To God) or stuff from remix.nin.com (Things Falling Apart) that seem better than my CD rips. I still live in hope that the Fragile re-release will include complete full-length versions of all songs. What are the chances, right?
You know what's worse than shuffle? Players that don't do gapless playback. UGH.
What was that damnit?
http://i.imgur.com/HqE6qpu.png
or Trent wanted to share some new music with us :O
thumbnail of the video is guy holding a vinyl in his hand
http://www.misleddit.com/u/MAD623/
i hate to burst more bubbles, but the mastering engineer sets track boundaries, and it's been very common until recent years to program those start markers to start 10-12 CD frames ahead (in order to cope with the pesky slow CD player lasers), which means nobody would really know or care how much of the preceding CD track would be at the 'proper' start of the following track until they got a copy and ripped it to their hard drive... which wasn't commonly happening until The Fragile was coming out.
i agree mostly. he did change stuff like the download version of The Slip so the track boundaries are exact, probably just for this reason.
Ben was probably assuming right (about the lack of "Ruiner" segue), although i think ChipRock was talking about "Closer" with the full ending, not the remix. curiously, though, the promo vinyl of CTG actually fades out the end of the remix.
I remember one of my friends in junior high complaining back in like 1996 that the track markers were totally fucked up on his copy of TDS that he just bought. I think he said it was a recent newly pressed version that had recently come out.
Yeah, it sucked last night. I sat down and cranked up my stereo to enjoy "a warm place" and just close my eyes and relax, and that fucking blip scared the shit out of me!
Opeth did the same thing on their Damnation album. Their one heavy track ends abruptly and you hear a splice of it at the beginning of the next track. That's the nice thing about iTunes, that you can take stuff like that out, but you have to get it absolutely right.
To me that's like saying you wish the cuts on a dvd between scenes were cleaner because you just want to skip to the best one, if an artist makes an album to be listened to as an album, then that's what it is, a composition that has many parts to its whole
Redbook CD is a particularly bad format for this because each second of audio is sliced into 75 distinct "frames" of audio (each containing 588 16-bit stereo PCM samples) so there's no way to put the marker exactly where you want it. It's always going to be slightly wrong. At least NIN CDs are truly gapless, though; the TR&AR soundtrack CDs sometimes are not.
Could be the first Australian pressings that suffered from this:
http://www.nincollector.com/archive/...stpressing.htm
Not sure if anyone caught that HITFIX article in which Trent mentions he's going to be involved with something for the next several years... Do you guys think he may be scoring that new David Fincher tv show, Utopia? Fincher has said he will be directing the entire first season. Just a thought.