I think this is a great article, lots of info!! https://www.villagevoice.com/2017/07...-add-violence/
I think this is a great article, lots of info!! https://www.villagevoice.com/2017/07...-add-violence/
Any article that still refers to TR as a "brooding goth overlord" and the "King of Angst" just makes me facepalm. Plus, mentioning that he once owned the Sharon Tate house is so by-the-numbers; that was one event that happened almost 25 years ago. It's irrelevant. Get over it.
Tried getting both of these NIN-related magazines today. The new Village Voice with the Trent interview doesn't appear to be available in print until tomorrow, so hopefully I can scoop one up then. We can grab VV's off the street for free all over NYC.
As far as the Metal Hammer with the 90's CD (and 18 Visions HLAH cover included), it wasn't in the local magazine shop yet near my job. They had the last issue of Metal Hammer though, so hopefully it arrives soon. They carry every magazine you could imagine...really obscure stuff. Is Metal Hammer a British mag? Maybe it will take a few more days before it's available in the U.S. as such?
Nothing wrong with trying to get the message out to more people. That's the only way an artist can make money these days.
My point was that that article seems to have its feet firmly planted in the mid-'90s.
But that final quotation can also be interpreted as a dick move. Screw the established audience; they'll buy this shit regardless. Let's just keep them waiting for their 7-month-old pre-orders and sell that same product to new fans at the shows.
That's the cynical point of view. I don't necessary believe it's true.
The irony is that he talks about the "walled-garden effect" yet in the last 10 years or so, NIN has become increasingly self-referential (earliest example I can think of is the tiny little dot in Only).
And the idea of locking yourself in to one medium (in this case, vinyl) is a walled garden in itself. Anti-choice.
Last edited by katara; 07-26-2017 at 04:34 AM.
Trent to be on KROQ radio, Kevin and Bean
https://twitter.com/clydetombaugh/st...63257343033344
Here's a lengthy new interview in NYMag/Vulture: In Conversation: Trent Reznor
I really relate to the point he makes about music being deprecated by its accessibility, which renders it sonic wallpaper rather than the focus of dedicated leisure time. Probably the only time I can find to listen to music without distraction is when I'm lying awake in bed at night. Depressing, but there's no turning back this particular clock...
Pretty good Add Violence review from Pitchfork.
http://pitchfork.com/reviews/albums/...d-violence-ep/
Trent's talking with Zane Lowe again on Beats 1 right now. (10:41 AM PST)
https://twitter.com/Beats1/status/890265343569965059
EDIT: Tuned in a bit late but will probably be archived on Apple Music later...did a small FYF recap, then spoke a bit about touring now (said there will be shows next year) and festival show mentality, and touched on the Bowie cover for a bit. Pretty short interview.
Last edited by pushingreality; 07-26-2017 at 12:57 PM.
that Vulture interview was classic. Wonder if this was a Tom Morello diss. I remember Morello had some big incident ranting about how he couldnt get into a restaurant VIP or some shit a couple years back... “There’ve been people whose music I can’t like anymore because I’ve seen them bitching on Twitter about a waiter like a fucking asshole.”
Why does no one ask him what the fucking story/message of these EPs is? Each interviewer is trying to out-cool the last one. Still, getting to hear TR bitch about something is always fun. It used to be contrarian, now it's grumpy.
I suspect he meant the Definitive Edition re-review, in which case - yes.
indeed you did
So forget the packaging, does it affect the music you create when you know that people are going to be scrutinizing the results like they’re messages from outer space?
What the obsessives maybe don’t know is that if I were to explain everything to you, or just explicitly lay out what the new EP is about, you’d only be disappointed. You don’t really want to know. The experience of grappling with the thing is what makes it interesting, not the immediate gratification of going, “Oh, that’s what it means.”