Critical reception
Titanic garnered mostly positive reviews from film critics. Review aggregate website Rotten Tomatoes reports the film as holding an overall 87% "Certified Fresh" approval rating based on 163 reviews, with a rating average of 7.7 out of 10. The site's general consensus is that the film is "[a] mostly unqualified triumph for Cameron, who offers a dizzying blend of spectacular visuals and old-fashioned melodrama".[82] At Metacritic, which assigns a weighted mean rating out of 0–100 reviews from film critics, the film has a rating score of 74 based on 34 reviews, classified as a generally favorably reviewed film.[94]
With regard to the film's overall design, Roger Ebert stated, "It is flawlessly crafted, intelligently constructed, strongly acted, and spellbinding... Movies like this are not merely difficult to make at all, but almost impossible to make well." He credited the "technical difficulties" with being "so daunting that it's a wonder when the filmmakers are also able to bring the drama and history into proportion" and "found [himself] convinced by both the story and the sad saga".[95] He named it as his ninth best film of 1997.[96] On the television program Siskel & Ebert, the film received "two thumbs up" and was praised for its accuracy in recreating the ship's sinking; Ebert described the film as "a glorious Hollywood epic, well-crafted and well worth the wait" and Gene Siskel found Leonardo DiCaprio "captivating".[97]James Berardinelli stated, "Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it."[98] It was named his second best film of 1997.[99] Almar Haflidason of the BBC wrote that "[t]he sinking of the great ship is no secret, yet for many exceeded expectations in sheer scale and tragedy" and that "when you consider that [the film] tops a bum-numbing three-hour running time, then you have a truly impressive feat of entertainment achieved by Cameron".[100] Joseph McBride of Boxoffice Magazine concluded, "To describe Titanic as the greatest disaster movie ever made is to sell it short. James Cameron's recreation of the 1912 sinking of the 'unsinkable' liner is one of the most magnificent pieces of serious popular entertainment ever to emanate from Hollywood."[101]
The romantic and emotionally-charged aspects of the film were equally praised. Andrew L. Urban of Urban Cinefile said, "You will walk out of Titanic not talking about budget or running time, but of its enormous emotive power, big as the engines of the ship itself, determined as its giant propellers to gouge into your heart, and as lasting as the love story that propels it."[102]Owen Gleiberman of Entertainment Weekly described the film as, "A lush and terrifying spectacle of romantic doom. Writer-director James Cameron has restaged the defining catastrophe of the early 20th century on a human scale of such purified yearning and dread that he touches the deepest levels of popular moviemaking."[101]Janet Maslin of The New York Times commented that "Cameron's magnificent Titanic is the first spectacle in decades that honestly invites comparison to Gone With the Wind."[101]Richard Corliss of Time magazine, on the other hand, wrote a mostly negative review, criticizing the lack of interesting emotional elements.[103]
Some reviewers felt that the story and dialogue were weak, while the visuals were spectacular. Kenneth Turan's review in the Los Angeles Times was particularly scathing. Dismissing the emotive elements, he stated, "What really brings on the tears is Cameron's insistence that writing this kind of movie is within his abilities. Not only is it not, it is not even close.",[104] and later claimed that the only reason that the film won Oscars was because of its box office total.[105] Barbara Shulgasser of The San Francisco Examiner gave Titanic one star out of four, citing a friend as saying, "The number of times in this unbelievably badly-written script that the two [lead characters] refer to each other by name was an indication of just how dramatically the script lacked anything more interesting for the actors to say."[106] Also, filmmaker Robert Altman called it "the most dreadful piece of work I've ever seen in my entire life".[107] In his 2012 study of the lives of the passengers on the Titanic, historian Richard Davenport-Hines says "Cameron's film diabolized rich Americans and educated English, anathematizing their emotional restraint, good tailoring, punctilious manners and grammatical training, while it made romantic heroes of the poor Irish and the unlettered".[108]
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Originally Posted by allegro
