They are working more like standard film composers, not elite ones (which they are)...They are at a level where they do not need to compose films or tv shows to pay the bills. They can be selective and choose what they want, so saying yes to Jonah Hill skateboard movies to dump out 4 songs that he can write in his sleep that he composed backstage in the most half baked way possible, or to say yes to some netflix show where 99% of the audience watching it wont give two fucks who the score came from doesnt seem prudent at this juncture of their careers. Carpenter and Morricone and Hans Zimmer do not say yes to everything that they get offered. Next we are going to hear how TR and Atticus are going to score a "very special episode" of Fuller HouseOriginally Posted by richardp
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