I hope Trent repackages it with some of the abandoned tracks
Knowing Trent and Atticus, they can easily handle this, reissuing and remastering, score work, and the next NIN record. These fuckers don't stop.
I hope Trent repackages it with some of the abandoned tracks
Knowing Trent and Atticus, they can easily handle this, reissuing and remastering, score work, and the next NIN record. These fuckers don't stop.
I'm talking more about Trent and Atticus saying that the songs were released in the order that they wanted them to be released, and implying that attempting to reconfigure them into one album didn't have much of a point. I don't recall them saying anything about combining the EPs into something new-ish, just that they might release them in a set together.
Still wearing his favorite t-shirt
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I'm sure you guys will find the beginning of this video familiar.
The first clip of the Kingfisher getting a Fish is what was used to end Hurt on the Further Down the Spiral tour with the projection screen. I just found it fascinating to come across the footage in high quality and in color to boot. I understand Simon Maxwell used stock footage for the visuals but this is the first I've seen the stuff anywhere else.
Last edited by nooneimportant; 08-22-2018 at 12:47 AM.
This show is just getting chalk full of NIN!
Animal Kingdom Season 3 Episode 13.
I'm Not From This World 34:38
I think it would be kind of cool if he did something like how Bowie made OUTSIDE, or the Natural Born Killers soundtrack with segues and spoken diary fragments in between the songs- maybe with some of the unused lyrics. Kind of tie it together like a story with a protagonist going crazy with paranoia.
Maybe some different versions of the songs, mixes, or maybe they get cut off by a segue. Could be really cool
I saw this too. She’s really cool.
Season 3 of X-Files:
Just wait until you see the stoners' van in Ep22.
I think this is a new interview on an Australian website
http://www.mixdownmag.com.au/keeping...ine-inch-nails
Synthwave producer, GosT, has released his cover of "Head Like A Hole" on Bandcamp for free:
https://gost1980s.bandcamp.com/track...ole-gost-cover
The GOST cover of Head Like a Hole is kind of frustrating, because it seems like it might actually gel, but then it doesn't. His vocal performance on the chorus, the kind of atypical harsh vocal performance he arrives at actually to me feels weirdly reminiscent of the 80s electro-industrial Reznor was carving his own path out of (and thus away from). My main problem with it is that it strips away the vocal melody from that part. I am not a vocal coach, so anything I say is as a kind of musical dilettante, but his performance on the verse is not emphatic enough as to not result in the minor aesthetic disconnect with the abrasive instrumental material I hear here. Alternatively, the affect of an airier or breathier performance might worked well as counterpoint with good execution. Instead he's kind of in the middle, loosely riding the vibe of the original performance, but not quite there. He pulls off the first verse without me thinking about any of this though.
In that first verse: his brick-walled, sharp sounding, right-to-the-front-of-the-mix, version of the bass line works fine enough. But elsewhere it feels like he's lost much of the nuance on the original song, and stepped on some of the details that render it such a sleekly abrasive experience. Gone is the weird kind of backwards-reverb sounding synth that emerges on the second verse that provides intrigue without impeding too much on your ability to keep the song's main motifs in your head. Still, I think a version of this song that basks in the brick-walled sonics that feel really central to this cover could work.
Addendum: You might want to consider all of the above in the context that I generally do not care for synthwave, or GOST's other music, my take is contaminated by that.