Originally Posted by
L'Acephale
It certainly was for the first five or so years after the release of TDS. I don't know whether Trent's acknowledged it subsequently, but he was awfully... not happy with it being mentioned back in the 90s.
And my point is this: I'm way too young to have been into either band in the 90s. Being a fan now, my opinion is that both acts are basically
a shadow of what they were: Manson's career has been an interesting trainwreck disaster since 2005, where Trent's has been a long slide into repetitive mediocrity. Of the two, Manson is still interesting in a how-low-can-he-go The Wrestler sense, where Reznor simply needs to give up on making music; he can't do it at all anymore.
As far as ACSS, the production on it is terrible. Quoting from memory, the Allmusic review nailed it when it qmentioned that the guitars are anemic, sounding like buzzsaws
instead of chainsaws. I don't care how many little samples Trent tried to force into the
mix, it made the guitars sound harmless on that record - "Angel With The Scabbed Wings" in particular sounds basically emasculated by the Godawful production. That album needed to sound no different, instrumentally, from an early-90s Sunshine Studios death
metal release. But it's piss weak instead, like The Downward Spiral, when it basically needed to sound like Nocturnus' The Key - strange, but with the guitars still absolutely present and a-fucking-counted for.
Mechanical Animals was easily the best production job Manson's ever had, followed by Holy Wood. ACSS sounds hardly any better than THEOL.