Was checking out some Adam Ant stuff on YouTube today and came across this interview (note the shirt):
Was checking out some Adam Ant stuff on YouTube today and came across this interview (note the shirt):
For fans of Animal Crossing:
Yeah, at one point he said he would try that out... but it was prior to COVID so who knows.
Nope. The short is only 5 minutes, and takes place before Joe Gardner enters the story, so no Jazz. Plus, I highly doubt that Trent & Atticus wrote music specifically for this short (or the other SOUL Pixar Popcorn short). Pixar always does additional animation for every movie: Shorts, Promo videos, etc, etc, etc, and they know that in advance. I'm sure they got lots of additional TR+AR material to use for the many projects, such as these. This is probably not the last time we'll hear more unreleased SOUL material. I've been working on projects for Walt Disney Records for over 20 years now, and I have some insight of how they operate. So the good news, is that it's probably something more exciting than this 5 minute short that Batiste had nothing to do with.
This short was made AFTER Soul wrapped up. The editor of SOUL gathered some animators who worked on the film, and directed this short AFTER Soul. They already had the designs and backgrounds, so it was a pretty easy process, compared to the movie (plus it's only 5 minutes). Also, EVERY SINGLE PIXAR MOVIE goes through re-writes, and entire characters and scenes being deleted. This is not unique to this film, but this short is NOT an outtake or deleted scene. It was written exclusively by Josh Cooley (director of Toy Story 4) AFTER Soul was made. It was directed by Kevin Nolting who started working on this AFTER he completed editing the film SOUL. I'm not trying to argue with you, I'm just letting you know that you can do a quick search and find lots of interviews with the people who made this which explain all this. It's not a mystery. Regarding the music, which is what we care about the most here, I don't know how else to explain this. Like I said, I've been working on and off on projects with Walt Disney Records since the late 1990s and have a really good idea on how things work there. I promise you that Pixar has LOTS of extra material from TR+AR. Not only does a lot of the music go unused when all is done, but PIXAR anticipates that there will be Promotional animation such as for shorts, theme parks, etc, etc and may ask for even more additional material for those purposes. And again, you will hear more of this "unreleased" SOUL music in the future. If they were to create a theme park attraction or something more complex, then they would probably bring TR+AR in again to write new material, but they don't do that for the "PIXAR POPCORN" shorts, nor the usual shorts that are made for home video. If these had been normal times, "22 vs Earth" would have been made exclusively for the Home Video extras, as they had done with MOST of their movies in the past. But because of Covid, not only did the "Burrow" short not make it to the 4K/Blu-ray/DVD, neither did "22 vs. Earth."
^ So... box set confirmed?
So, TRAR already scored watchmen, what about them scoring a marvel movie/series?
But which project could their style work for? Maybe Blade? Moon Knight? Armor Wars? What if it were for one of the upcoming Star Wars shows, like The Book of Boba Fett? I admit that Disney will likely want to keep things in the realm of traditional John Williams-esque type of score with most of the Star Wars shows & moives, but you never know.
Last edited by RJK; 05-03-2021 at 02:05 PM.
Literally just read that. And it's a weird confluence in that I read it on a post from guy I only know from @Leviathant so its turtles all the way down over here.
What is it exactly? Remix? Single collab? TR vocals over a HEALTH track?
EL-P talks about his second album and working with TR/NIN amongst others for a minute in this podcast - the episode is called "I'll Sleep When You're Dead" and the part starts at around 39:00: https://starburns.audio/podcasts/what-had-happened-was/
Found this spotting while reading the blog EL-P started in 2006 to chronicle the making of his album. He mentions Flyentology in a post from August 26:
Edith: another entry from a week earlier, including this foto from the song's mixing session.one of the reasons that it takes me so long to make records (apart from the fact that i lead a double life as a record label owner and producer) is that my process is demented to say the least. most of the songs you've ever heard from me are 6, 7 or 8 times removed from what the original attempt sounded like. i build entire songs musically that end up getting scrapped, with only a few elements remaining that get thrown on the final. for instance, flyentology is the song im mixing now. its the bastard hybrid of no less than 5 completely different and finished versions of the jam. its a fucked up way to work but it serves a few purposes: the first is spontenaity. most of the time a piece of music, a sample, a drum break serves only as the medium to get me off my ass and writing. but ultimately its not meant to exist in that form. the second is perfectionism. once the writing and performance is done i've got the pleasure of sitting naked, drunk and crying in front of my equipment for weeks, months and on occasion years trying to tune the shit into something that feels perfect to me (at least for the time). the only way to stop is to force myself. being in a group was cool cause i could turn to someone and say "is it done?". thats why i produce for other people. its easier. other people arent as much of an asshole as i am.
Last edited by r_z; 05-05-2021 at 03:23 PM.
So I just came across this nice cover of The Great Below by Victoria Lukas, who I vaguely knew from her work with Gerald Donald.
This is from back in late 2019, so apologies if somebody already posted.
Minimal atmospheric electronics, so check it out if that's your bag.
This looks interesting. Lizzy Goodman is doing a podcast every Wednesday called Difficult Artist which is where she interrogates them about their 'process' and TR is one of the guests
https://www.allaccess.com/net-news/a...dcast-with-liz
Minor spotting, but it’s been a fun couple days being a NIN fan/on ETS so why stop now? Phil Anselmo name drops TR and his studio for the recording of Pantera’s 1996 album The Great Southern Trendkill:
https://www.blabbermouth.net/news/ph...d-that-record/
Closer - I want to fuck you like an animal crossing
https://www.gameinformer.com/gamer-c...with-nine-inch