Originally Posted by
Final Destiny
I do think it's one of the strongest scores - maybe because it's much more concentrated than GDT, Gone Girl, or Vietnam. Nearly every track feels distinct to me, like I could put a name to each one if I heard it out of the context of the album.
I suppose it is more obvious when you think about it - big budget action/drama film, big name headlining star, clearly a studio-driven film. It was probably a substantially different experience compared to working with a director like Fincher or Ken Burns, or the smaller scale of Before the Flood. I can't imagine they'd do something like that again.