I think if you like its jumpy vibe good for you. If not, kudos as well.
I think if you like its jumpy vibe good for you. If not, kudos as well.
I think he doesn't play it for the simple reason it doesn't sound well live.
edit: nvmnd
Last edited by dlb; 03-16-2014 at 01:56 PM.
This is the best version of MOTP ever played, that climax is fucking insane. @3:45-4:16 I had no clue that Trent could still do that with his voice!
At the risk of giving Bill ammunition I present the following quote from that article without comment.
"I'm actually in the process of seeing if I can right now. We're rehearsing and I've got a new challenge in trying to play live material that's substantially more complex than in the past. When we played the MTV awards I needed two cellists and four backing vocalists on the stage, and I don't know if I want to go that way. I'm trying to find ways to execute them with integrity, but not turn into a bloated rock band. When was the last time you saw a rock band with backing singers that was cool?"
its completely unpredictable if you don't read wikis and setlists before the show. In other words, the majority of the crowd.
Well, with one exception. Say what you will about how awesomely unpredictable Wave Goodbye was, but at the end of the WG show I was at, when the THTF/Hurt/HLAH section started it got predictable. Hurt started and I knew he was going to walk off stage afterwards. He came back and played Suck which was a surprise, but when DII started I knew it was going to be followed by THTF and HLAH. And there were a few song orders at other parts of the show that weren't exactly surprising. But if I didn't read any Tension setlists before the show I was at, the predictability level would be the exact same as it was for WG. That's why I think it makes sense to save those types of shows for the smaller intimate shows. Those are the ones that are going to be attended by the hardcore who have seen it all before.
I hope Everything becomes a staple this summer. And I really do hope Trent is being honest when he says he isn't even aware/checking on online reactions to things, because it's all such nonsense. It's so temporary and unimportant. Remember how jarring Only seemed on With Teeth initially? And now it's just another song in the NIN canon.
Does anyone else feel that, despite its obvious elegance and beauty, AATCHB is one of TR's more... derivative and less original songs? I've been thinking about it in the context of what he said at some point about TPD being a little too obvious in terms of being a representation of his influences at the time, and that being why it's not one of his favorites. Aside from the (probably more likely) possibility that AATCHB taps into a headspace in which he doesn't care to dwell live, could it rather/also be that he feels it's a little too representative of his musical influences. As I've said, it's a perfectly lovely tune; it just never managed to seduce me the way it did so many others. Has TR ever commented on it?
I don't recall TR ever mentioning the song, period.
On topic of the song, I disagree on every level, but that's what this thread's for :P
There was a question asked at one point in the Access section of nin.com when they asked if (I'm pretty sure it was these three songs) would be played: Last, WITT and AATCHB.
Trent's response was: "yes, maybe, yes"
I probably got that mixed up a bit, but he definitely said "yes" to AATCHB. Whichever one he said "maybe" to has been played, while AATCHB still remains to be seen. :/
Just checked Access archive and it's not there, maybe it was in Spiral?
Quite possibly, yes.
Is there an archive of Spiral responses?
Speaking of Access, I updated the My Dead Friend page:
http://www.ninwiki.com/My_Dead_Friend
^^^So did message to noone become the Great Destroyer then? or am I being too literal here
[Mes]sage to no one
In particular»
And guess what?
Nobody loves you
Nobody cares
I was sent here to give you this mess[age]
Oh, thats right
You're different
Different than the rest
I forgot
I forgot
Well fuck you
And fuck fitting in to your scene
Fuck what you think
Oh yeah
Well I'm king of the world
The world that I'm destroying
Big chunks at a time
I am the destroyer of worlds
You watch and see
You watch and see
I fear we're veering wildly off topic, but I would be surprised if any of those tracks ended up on YZ in the end, aside from Vessel none of them could have been written with anything but the YZ universe in mind. Maybe Trent's idea for the next album was something different at that point.