Posted this in another thread but the ending to Halloween is incredible. Anyone here the porn sample from Big Man With A Gun in it?
Posted this in another thread but the ending to Halloween is incredible. Anyone here the porn sample from Big Man With A Gun in it?
any lossless versions of the Halloween song or just mp3?
Not a real spotting, but the new St Vincent has a lot of recognizable recent NIN sounds...
By the way, her new album is awesome.
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So, this was brought to mind by the discussion over in the controversial opinions thread about versions of songs on Still vs original versions. I wish that SICNH on Still had somehow recreated the weird percussion sounds from the chorus of the original version, like with some janky DIY instruments.
So I finally got around to watching Stranger Thinks on Netflix, and I couldn’t help but think of The Background Word pretty the much the whole time, it’s odd how similar fitting it is, or maybe I’m just really really high
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A bit like the thing in the "Down In It" cover art: https://twitter.com/archillect/statu...99450729295872
Mainly posting to say that lately I've been imagining a mashup using parts of PIG's "Flesh Fest" with "Me, I'm Not" as the main/base instrumental. The "squeeze into the guilt that holds me" part could sound cool against the instruments from MIN's chorus. I'm just not sure which of the two would have their tempos altered.
I wonder what song Lynch rejected that Trent original submitted for Twin Peaks?
Does Trent listen to Frank Ocean? For some reason, I think he has before lol.
I’m sifting through the ashes
That was one of the greatest things about the old nin.com forums. You never knew exactly what all he read, or whether some people just had a knack for trolling him to elicit a response, but every once in a while, boom! I remember his posts being so honest, and genuine. More candid and intimate than an 'ask-me-anything,' and far more 'real' than generic tweets by publicists you get with most celebs (not TR...in fact, I'm kind of glad his Twitter is so quiet and not filled with junk.)
Happens here too from time to time:
Another one, but serious response to discussions:
http://www.echoingthesound.org/commu...874#post331874
Last edited by blassster; 10-20-2017 at 04:48 PM.
lol comparing Kraw to Rob Sheridan is like comparing an ice cream truck to a space shuttle. Rob was just as much a member of NIN as any of the touring members or even, dare I say it, Atticus himself. His visuals, design and general aesthetic was a crucial component to the NIN experience from Still onwards.
Nothing Kraw has done since becoming NIN’s art director has impressed me. Least of all his meticulously-prepared reissues that were falling apart by the time the buyer got their hands on them. Maybe this belongs in the controversial NIN opinions thread, but Kraw isn’t a pimple on the ass of Rob Sheridan’s creativity..
There's something so incredibly awkward to me about Ross performing with NIN.
Totally agree. I don't know why Trent and Rob hadn't talked openly about this. And regarding what trent said in that recent interview about Stanley Donwood, man, what could go so wrong to bypass all of Rob's legacy to the band?
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Dude, no need to shit on Kraw this hard. I think we can all agree that Rob's been a huge part of NIN's identity throughout the years and that he was a perfect match, but I for one welcome new creative direction once in a while. Even if some things didn't turn out as expected, I'm pretty sure Kraw is giving his best and is very much a creative dude in his own right. Personally, I really do like everything about NIN's vibe and style in this era, from photos to social media presence, to album art, music videos etc. which he probably has a huge part in.
I was following kraw on Instagram for like 2 years before he was announced as the new art director and was thrilled at the implications of NIN and his weird subversive style. But I've not seen that style materialize in NIN yet.
Honestly i wish that Bottom of the Pyramid dude was NIN's art director now, that guys stuff rules!