Thematically I think Welcome Oblivion fits 2017 so much better than it fit 2013. It's really resonated with me in a way I don't remember it doing at release or in the years since. Strings and Attractors has got to be one of the most beautiful things Trent's worked on. He and Mariqueen's vocal harmony in the chorus is flawless stuff, and I hope her mention of next year potentially bringing more HTDA ends up being accurate -- the themes of apocalypse, digital detachment, noise as language and language as noise and the exploration of feeling like we're on the edge of losing our individual identities are all very fitting to right now and I'd love to see them explore more of this headspace and sound.